A Conversation with Wayne Koestenbaum

I can tell you all sorts of reasons why you won’t sink. I mean, I think ways not to sink include deciding what you want to do vocationally in your early 20s, and devoting time each day, secretly or illegally, to doing what you need to do to pursue your vocation. I.e. Write. Every day. Meet people who will inspire you rather than get you down. Not have bad relationships. Not take too many drugs. It’s a balancing act between exploring your inner and outer anarchy, exploring your libidinal volcanic impulses, and also looking forward…

LIVE from the NYPL: Fitzgerald, Ashbery, Donnelly

…I think it speaks so well to our moment, because we are so inundated with different types of culture, and this idea that we should be hierarchically stacking them or appropriately engaging with them at certain moments or not—I think that’s over, that’s passé, and John’s work is much more fluid, and then you realize all the experimental and progressive work in poetry is that way, too…

A Conversation with Translator David Colmer

Some of the translations are more academic, aiming mainly to reproduce the content of the poems without bothering too much about the form. Others strive to turn the poems into equivalent works in English, with varying degrees of success. Part of the attraction of a collection like this lies, hopefully, in the unity of its approach, and that is largely due to the collection being one translator’s version of Claus…

Staff Picks: Max Fish, "After the Beginning"

One fine morning, I awoke to discover that, during the night, I had learned to understand the language of birds. I have listened to them ever since. They say: ‘Look at me!’ or: ‘Get out of here!’ or: ‘Let’s Fuck!’ or: ‘Help!’ or: ‘Hurrah!’ or: ‘I found a worm!’ and that’s all they say…