• Browse
    • About Us
    • Print Archive
    • Support The Reader
  • Fiction & Poetry
  • Criticism
  • In Conversation
  • This Day in “Lettres”
  • From the Print

Criticism

Scenes of Emancipation: On Jacques Rancière's AisthesisFrom the Print

By Jonathon Kyle Sturgeon × Criticism

At best willing only to consume, to rifle through trash on her Kindle, ready to relinquish her final moments of quietude to the noise of visual culture, the reader is whispered about as an aphasic oldster awaiting euthanasia…

The Curses, the Fates, the Races, the Fakes, the Faces, the Names of "The Game of Death"; or, The Game of Death

By Tony Tulathimutte × Criticism

From birth, Bruce Lee was a doppelganger thrice-over—pseudonymic male, homonymic descendant, homophonic echo. A human pun…

The Return of “The Curses, the Fates, the Races, the Fakes, the Faces, the Names of 'The Game of Death'; or, The Game of Death”

By Tony Tulathimutte × Criticism

And now, as if I had no choice, I’ve returned…

Notes Toward a Film Adaptation of Roberto Bolaño’s "2666"

By JW McCormack × Criticism

There, in secret, he must await the special moviegoer capable of deciphering the coded crux of Bolaño’s final novel…

Selected Movies: Part II

By Danniel Schoonebeek × Criticism

Interruptions during film: laughter behind the wall, exhaustion, stuck keys, footsteps in hallway, toothache, dog barking, laughter, dog barking.

Editors' Epilogue: Bodies in MotionFrom the Print

By Jonathon Kyle Sturgeon × Criticism

Henrytown is shot through with a kind of literary mantra: Fathers are dead! Long live Fathers!

Review: Peter Dimock’s "George Anderson: Notes for a Love Song in Imperial Time"From the Print

By Aaron Lake Smith × Criticism

“George Anderson” is a rare example of strong, experimental fiction from the Left, and for all its strangeness and brevity, it manages considerable moral and political weight…

Pitch: Remarks on Poetry Readings

By Danniel Schoonebeek × Criticism

Inside the room there’s three men and they’re drinking three glasses of milk. Like so, like so, and like so…

State of the Industry: Politically Deployed Cinema at the Oscars

By Willie Osterweil × Criticism

The 85th Academy Awards, like no show before it, will elevate films that are openly ideological, weaponized tools of the state…

Review: Will Self's "Umbrella"From the Print

By Hal Parker × Criticism

Indeed, what Mr. Self excels in bringing out is the enduring if gentle dissonance potentially born of this encounter, how the world may all the while coax and corrode and twist its hidden suasions within us.

State of the Industry (Part II): And the Winner Is…The State!

By Willie Osterweil × Criticism

What do Michelle Obama and her soldiers have to do with this awards ceremony, this trifle, this broadly acknowledged irrelevancy?

Review: Bilge Karasu’s "A Long Day’s Evening"From the Print

By Joel Street × Criticism

A Long Day’s Evening, a short novel by the late Turkish novelist Bilge Karasu (1930-1995), is the author’s first published work in English in more than eight years. Focused primarily on the tribulations of two Byzantine monks, the novel is preoccupied … Continued

Review: James Lasdun’s "Give Me Everything You Have"

By Henry Giardina × Criticism

If you are a person at all familiar with the internet, you will be aware of one of its most problematic features: the pop-up. It is a thing that strikes at will, a spring-hinged box conjured by inadvertent clicking, containing … Continued

Lying in State: Advice for American Poets

By Danniel Schoonebeek × Criticism

81) Ronald Reagan murdered fourteen Marxists with his bare hands in 1982…

Review: Materializing “Six Years” at the Brooklyn Museum

By Presca Ahn × Criticism

Were the Conceptual artists actually a literary movement?

  • ← Older
  • Newer →