26 July (1944): Maxwell Perkins to Joseph Stanley Pennell
The trouble with reviewers, and with editors, is so simple that nobody gets it.
The trouble with reviewers, and with editors, is so simple that nobody gets it.
As an edifice built to stupefy and alienate the reader, Taipei is something to behold. It is like a hall of mirrors where the visitor’s reflection eliminates any trace of her original affect, where a smile is thrown back as an anesthetized mouth…
How can comprehension be born without a multitudinous experience? You must come out and scratch and bite, and love and hate, and play and sing and fly, and earn your place in the sun.
Yes, once I was a child, and I played a mean trick on you, dear. I stuffed your mouth full of geranium leaves and sought earnestly to suffocate you. I am glad I did not succeed. Because you are a very amusing young woman, and deserve to live.
I get a long story started and sometimes it breaks in two. Some minor character comes in, as though a stranger had suddenly walked into a house. That changes everything.
A man of letters, a creative writer, ought to know that although life allows all sorts of things, it stops short at absolute immorality.
Of course writers write with their eyes painters paint with their ears. And further neither painters nor writers have ever been painted with their mouths open.
The women stop at home all day, doing the housework, drudging, and leading the most homely and I should say joyless lives. I fancy they never look at a book, and all their conversation is about their pots and pans…
…it is dangerous for one who lets himself be fascinated by the great dark mirrors that poetry and madness wield at the bottom of their chasms.
This fridge has a powerful right to speak. That’s right. A hooligan in his past life, this refrigerator was born with an unusually powerful voice…